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David Elginbrod by George MacDonald
Book, page 121 / 551


with it; failing as it failed, and ceasing with its inspiration, as
if the voice that sang lived only for and in the song. A moment of
intense silence followed. Then, before Hugh had half recovered from
the former, with an almost grand dramatic recoil, as if the second
sprang out of the first, like an eagle of might out of an ocean of
weeping, she burst into Scots wha hae. She might have been a new
Deborah, heralding her nation to battle. Hugh was transfixed,
turned icy cold, with the excitement of his favourite song so
sung.--Was that a glance of satisfied triumph with which Euphra
looked at him for a single moment?--She sang the rest of the song as
if the battle were already gained; but looked no more at Hugh.

The excellence of her tones, and the lambent fluidity of her
transitions, if I may be allowed the phrase, were made by her art
quite subservient to the expression, and owed their chief value to
the share they bore in producing it. Possibly there was a little
too much of the dramatic in her singing, but it was all in good
taste; and, in a word, Hugh had never heard such singing before. As
soon as she had finished, she rose, and shut the piano.

"Do not, do not," faltered Hugh, seeking to arrest her hand, as she
closed the instrument.

"I can sing nothing after that," she said with emotion, or perhaps
excitement; for the trembling of her voice might be attributed to
either cause. "Do not ask me."

Hugh respectfully desisted; but after a few minutes' pause ventured
to remark:

"I cannot understand how you should be able to sing Scotch songs so
well. I never heard any but Scotch women sing them, even endurably,
before: your singing of them is perfect."

"It seems to me," said Euphra, speaking as if she would rather have
remained silent, "that a true musical penetration is independent of
styles and nationalities. It can perceive, or rather feel, and
reproduce, at the same moment. If the music speaks Scotch, the
musical nature hears Scotch. It can take any shape, indeed cannot
help taking any shape, presented to it."

 
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