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The Advance of English Poetry in the Twentieth Century by William Lyon Phelps
Book, page 110 / 248



   Alone on the shore in the pause of the nighttime
   I stand and I hear the long wind blow light;
   I view the constellations quietly, quietly burning;
   I hear the wave fall in the hush of the night.

   Long after I am dead, ended this bitter journey,
   Many another whose heart holds no light
   Shall your solemn sweetness hush, awe, and comfort,
   O my companions, Wind, Waters, Stars, and Night.

Other Oxford poets from the front are Siegfried Sassoon, Robert Graves
and Willoughby Weaving, whose two volumes _The Star Fields_ and
_The Bubble_ are as original in their way as the work of Mr.
Nichols, though inferior in beauty of expression. Mr. Weaving was
invalided home in 1915, and his first book has an introduction by
Robert Bridges. In _The Bubble_ (1917) there are many poems so
deeply meditative that their full force does not reach one until after
repeated readings. He has also a particular talent for the last line.

   TO ----

   (Winter 1916)

   Thou lover of fire, how cold is it in the grave?
   Would I could bring thee fuel and light thee a fire as of old!
   Alas! how I think of thee there, shivering out in the cold,
   Till my own bright fire lacketh the heat which it gave!

   Oh, would I could see thee again, as in days gone by,
   Sitting hands over the fire, or poking it to a bright blaze
   And clearing the cloggy ash from the bars in thy careful ways!
   Oh, art thou the more cold or here by the fire am I?

B. H. Blackwell, the Oxford publisher, seems to have made a good many
"finds"; besides producing some of the work of Mr. Nichols and Mr.
Weaving--both poets now have American publishers as well--the four
volumes _Oxford Verse_, running from 1910 to 1917, contain many
excellent things. And in addition to these, there are original
adventures in the art of poetry, sometimes merely bizarre, but

 
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