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Abbotsford and Newstead Abbey by Washington Irving
Book, page 12 / 131


birthplace of Robert Burns. I passed a whole morning about "the banks
and braes of bonnie Doon," with his tender little love verses running
in my head. I found a poor Scotch carpenter at work among the ruins of
Kirk Alloway, which was to be converted into a school-house. Finding
the purpose of my visit, he left his work, sat down with me on a grassy
grave, close by where Burns' father was buried, and talked of the poet,
whom he had known personally. He said his songs were familiar to the
poorest and most illiterate of the country folk, "_and it seemed to
him as if the country had grown more beautiful, since Burns had written
his bonnie little songs about it._"

I found Scott was quite an enthusiast on the subject of the popular
songs of his country, and he seemed gratified to find me so alive to
them. Their effect in calling up in my mind the recollections of early
times and scenes in which I had first heard them, reminded him, he
said, of the lines of his poor Mend, Leyden, to the Scottish muse:

   "In youth's first morn, alert and gay,
   Ere rolling years had passed away,
     Remembered like a morning dream,
   I heard the dulcet measures float,
   In many a liquid winding note,
     Along the bank of Teviot's stream.

   "Sweet sounds! that oft have soothed to rest
   The sorrows of my guileless breast,
     And charmed away mine infant tears;
   Fond memory shall your strains repeat,
   Like distant echoes, doubly sweet,
     That on the wild the traveller hears."

Scott went on to expatiate on the popular songs of Scotland. "They are
a part of our national inheritance," said he, "and something that we
may truly call our own. They have no foreign taint; they have the pure
breath of the heather and the mountain breeze. All genuine legitimate
races that have descended from the ancient Britons; such as the Scotch,
the Welsh, and the Irish, have national airs. The English have none,
because they are not natives of the soil, or, at least, are mongrels.
Their music is all made up of foreign scraps, like a harlequin jacket,
or a piece of mosaic. Even in Scotland, we have comparatively few

 
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