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Book, page 91 / 276 but, as the ubiquity of the rejected poet in verse indicates, to lose the latter as well, because his temperament will incline him to go into retirement and meditate upon his lady's charms, when he should be flaunting his own in her presence. It will not be long, indeed, before he has so covered the object of his affection with the leafage of his fancy, that she ceases to have an actual existence for him at all. The non-lover may remind us that even so ardent an advocate of love as Mrs. Browning voices this danger, confessing, in _Sonnets of the Portuguese_, [Footnote: Sonnet XXIX.] My thoughts do twine and bud About thee, as wild vines about a tree Put out broad leaves, and soon there's nought to see Except the straggling green that hides the wood. The non-lover may also recall to our minds the notorious egotism and self-sufficiency of the poet, which seem incompatible with the humility and insatiable yearning of the lover. He exults in the declaration of Keats, My solitude is sublime,--for, instead of what I have described (_i.e._, domestic bliss) there is sublimity to welcome me home; the roaring of the wind is my wife; and the stars through the windowpanes are my children; the mighty abstract idea of beauty in all things, I have, stifles the more divided and minute domestic happiness. [Footnote: Letter to George Keats, October 31, 1818.] Borne aloft by his admiration for this passage, the non-lover may himself essay to be sublime. He may picture to us the frozen heights on which genius resides, where the air is too rare for earthly affection. He may declare that Keats' Grecian Urn is a symbol of all art, which must be All breathing human passion far above. He will assert that the mission of the poet is "to see life steadily and see it whole," a feat which is impossible if the worship of one figure out of the multitude is allowed to distort relative values, and to throw his view out of perspective.
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