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Celtic Literature by Matthew Arnold
Book, page 52 / 101


--'The main current of English literature cannot be disconnected from
the lively Celtic wit in which it has one of its sources. The Celts
do not form an utterly distinct part of our mixed population. But
for early, frequent, and various contact with the race that in its
half-barbarous days invented Ossian's dialogues with St. Patrick, and
that quickened afterwards the Northmen's blood in France, Germanic
England would not have produced a Shakspeare.' But there Mr. Morley
leaves the matter. He indicates this Celtic element and influence,
but he does not show us,--it did not come within the scope of his
work to show us,--how this influence has declared itself. Unlike the
physiological test, or the linguistic test, this literary, spiritual
test is one which I may perhaps be allowed to try my hand at
applying. I say that there is a Celtic element in the English
nature, as well as a Germanic element, and that this element
manifests itself in our spirit and literature. But before I try to
point out how it manifests itself, it may be as well to get a clear
notion of what we mean by a Celtic element, a Germanic element; what
characters, that is, determine for us the Celtic genius, the Germanic
genius, as we commonly conceive the two.


IV.


Let me repeat what I have often said of the characteristics which
mark the English spirit, the English genius. This spirit, this
genius, judged, to be sure, rather from a friend's than an enemy's
point of view, yet judged on the whole fairly, is characterised, I
have repeatedly said, by ENERGY WITH HONESTY. Take away some of the
energy which comes to us, as I believe, in part from Celtic and Roman
sources; instead of energy, say rather STEADINESS; and you have the
Germanic genius STEADINESS WITH HONESTY. It is evident how nearly
the two characterisations approach one another; and yet they leave,
as we shall see, a great deal of room for difference. Steadiness
with honesty; the danger for a national spirit thus composed is the
humdrum, the plain and ugly, the ignoble: in a word, das Gemeine,
die Gemeinheit, that curse of Germany, against which Goethe was all
his life fighting. The excellence of a national spirit thus composed
is freedom from whim, flightiness, perverseness; patient fidelity to
Nature, in a word, SCIENCE,--leading it at last, though slowly, and

 
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