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Celtic Literature by Matthew Arnold
Book, page 51 / 101


'In the territory occupied by the Saxons, the Britons were no longer
an independent nation, nor even a people with any civil existence at
all. For history, therefore, they were dead, above all for history
as it was then written; but they had not perished; they still lived
on, and undoubtedly in such numbers as the remains of a great nation,
in spite of its disasters, might still be expected to keep. That the
Britons were destroyed or expelled from England, properly so called,
is, as I have said, a popular opinion in that country. It is founded
on the exaggeration of the writers of history; but in these very
writers, when we come to look closely at what they say, we find the
confession that the remains of this people were reduced to a state of
strict servitude. Attached to the soil, they will have shared in
that emancipation which during the course of the middle ages
gradually restored to political life the mass of the population in
the countries of Western Europe; recovering by slow degrees their
rights without resuming their name, and rising gradually with the
rise of industry, they will have got spread through all ranks of
society. The gradualness of this movement, and the obscurity which
enwrapped its beginnings, allowed the contempt of the conqueror and
the shame of the conquered to become fixed feelings; and so it turns
out, that an Englishman who now thinks himself sprung from the Saxons
or the Normans, is often in reality the descendant of the Britons.'

So physiology, as well as language, incomplete though the application
of their tests to this matter has hitherto been, may lead us to
hesitate before accepting the round assertion that it is vain to
search for Celtic elements in any modern Englishman. But it is not
only by the tests of physiology and language that we can try this
matter. As there are for physiology physical marks, such as the
square heads of the German, the round head of the Gael, the oval head
of the Cymri, which determine the type of a people, so for criticism
there are spiritual marks which determine the type, and make us speak
of the Greek genius, the Teutonic genius, the Celtic genius, and so
on. Here is another test at our service; and this test, too, has
never yet been thoroughly employed. Foreign critics have indeed
occasionally hazarded the idea that in English poetry there is a
Celtic element traceable; and Mr. Morley, in his very readable as
well as very useful book on the English writers before Chaucer, has a
sentence which struck my attention when I read it, because it
expresses an opinion which I, too, have long held. Mr. Morley says:

 
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