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Biographies of Working Men by Grant Allen
Book, page 81 / 116


undermined by the long hardships of his early struggles, and his
constitution gave way at last with comparative rapidity. Still, he
had lived long enough to see his fame established, to enjoy ten
years of ease and honour, and to find his work cordially admired by
all those for whose admiration he could have cared to make an
effort. After his death, the pictures and unfinished sketches in
his studio were sold for 321,000 francs, a little less than 13,000
pounds. The peasant boy of Greville had at last conquered all the
difficulties which obstructed his path, and had fought his own way
to fame and dignity. And in so fighting, he had steadily resisted
the temptation to pander to the low and coarse taste in art of the
men by whom he was surrounded. In spite of cold, and hunger, and
poverty, he had gone on trying to put upon his canvas the purer,
truer, and higher ideas with which his own beautiful soul was
profoundly animated. In that endeavour he nobly succeeded. While
too many contemporary French pictures are vicious and sensual in
tone and feeling, every one of Millet's pictures is a sermon in
colour--a thing to make us sympathize more deeply with our kind,
and to send us away, saddened perhaps, yet ennobled and purified.






VI.

JAMES GARFIELD, CANAL BOY.





At the present time, the neighbourhood of Cleveland, Ohio, the
busiest town along the southern shore of Lake Erie, may fairly rank
as one of the richest agricultural districts in all America. But
when Abram Garfield settled down in the township of Orange in 1830,
it was one of the wildest and most unpeopled woodland regions in
the whole of the United States. Pioneers from the older states had
only just begun to make little clearings for themselves in the

 
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