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Balzac by Frederick Lawton
Book, page 41 / 264


Madame Surville attributes the fiasco to the professional jealousy of
competitors, who discouraged the public from buying; but the cause of
the discomfiture lay rather in the faulty manner in which the partners
carried out their plan. Monsieur d'Assonvillez being still an
interested adviser, Balzac now submitted to him a project for
retrieving his losses by adding a printing to his publishing business.
The stock and goodwill of a printer were to be bought, and a working
type-setter, named Barbier, was to be associated as a second principal
in the affair, on account of his practical experience. The project was
approved, and the elder Balzac was persuaded to come forward with a
capital of about thirty thousand francs, this sum being required to
pay out the retiring printer, Monsieur Laurens, and obtain the new
firm's patent. Madame de Berny had already lent Honore money to help
him in the publishing scheme. At present, she induced her husband to
intervene with the Government so that the printing licence might be
granted without delay.

The printing premises were situated at No. 17, Rue des Marais,
Faubourg Saint-Germain, to-day Rue Visconti, near the Quai Malaquais.
The street, which is a narrow one, subsists nearly the same as it was
a century ago. Older associations, indeed, are attached to it. At No.
19 died Jean Racine in 1699, and Adrienne Lecouvreur in 1730. No. 17
was a new construction when Balzac went to it, having probably been
built on the site where Nicolas Vauquelin des Yveteaux used to receive
the far-famed Ninon in his gardens. On the impost, where formerly
appeared the names Balzac and Barbier, now may be read "A. Herment,
successeur de Garnier." The place is still devoted to like uses.

In the /Lost Illusions/, whose part-sequel /David Sechard/ reproduces
Balzac's life as a printer, there is a description of the ground
floor: "a huge room, lighted on the street-side by an old stained-
glass window and on the inner yard-side by a casement." The passage in
Gothic style led to the office; and on the floor above were the living
rooms, one of which was hung with blue calico, was furnished with
taste, and was adorned with the owner's first novels, bound by
Thouvenin. In this "den," during the two years that he was engaged in
the printing trade, were received the daily visits of her he called
his /Dilecta/.

She could not give him the practical business qualities in which he

 
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