Vertical viola
The standard viola is about as big as can conveniently be played under the chin. The eminent physicist/instrument maker Carleen Hutchins, working during the 1960's, reasoned that a viola played vertically could be made larger, and that a larger viola might produce a better sound. Based on principles of instrument design she had observed in top-quality existing instruments, Hutchins designed a viola about 10 cm. (2 1/2 inches) longer than the regular viola, intended to be played in the manner of a cello. (Despite Hutchins's original intention, a few violists, equipped with long arms or perhaps just extreme motivation, have played her viola horizontally.)
The fundamental acoustic principle underlying the vertical viola is that the main body resonance (resonance of the wood of the instrument) should match the second-highest string, and the main cavity resonance (resonance of the air the instrument contains) should match the third-highest string. On a viola these strings are D and G, respectively. The standard viola is too small to achieve this matchup of string frequency to resonance frequency.
The same design principle was used by Hutchins to design a complete family of eight stringed instruments, of which the vertical viola has been the most successful. Since all of the instruments are designed based on the violin, Hutchins gave the name alto violin to her vertical viola design.
Hutchins's instrument has attracted admiration for its power and beauty of tone. The cellist Yo-Yo Ma has employed a Hutchins vertical viola to perform and record Bela Bartok's Viola Concerto. However, at present, for whatever reasons, it seems fairly unlikely that the vertical viola will ever supplant the horizontal one. Web data suggest, however, it may find a niche as an instrument for cellists who wish to play viola music.
External links
|
