Marx Brothers

(left to right) Chico, Zeppo, Groucho, Harpo

They got their start in vaudeville. Their uncle Al Shean was half of the vaudeville act Gallagher and Shean, and his success no doubt inspired their mother Minnie Marx to put her boys on the stage. Groucho started in vaudeville in 1905, mostly as a singer. By 1907 he and Gummo were singing together as two-thirds of The Three Nightingales. The next year Harpo became the fourth Nightingale. By 1910 the group was expanded to include their mother and their Aunt Hannah and renamed The Six Mascots. The act evolved from singing with some incidental comedy to a comedy sketch set in a schoolroom, featuring Groucho as the teacher presiding over a classroom which included students Harpo, Gummo and, by 1912, Chico. The last version of the school act, entitled Home Again, was written by Al Shean. By this time the brothers had begun to incorporate their unique brand of comedy into their act and to develop their characters. Groucho began to wear his trademark greasepaint moustache and walk stooped over, Harpo began to wear a red fright wig, carry a small bicycle horn and never spoke, and Chico started to talk in a fake Italian accent. By 1924, the brothers' vaudeville act had become successful enough to take them to England and Broadway, where they made it big with I'll Say She Is and The Cocoanuts.

The Marx stage shows became popular just as Hollywood was making the change to sound films. Their first two films were adaptations of Broadway shows: The Cocoanuts(1929) and Animal Crackers (1930). Both were written by George S. Kaufman.

Their third film, Monkey Business (1931), was their first that was not based on a stage production. Horse Feathers (1932) was their most popular film yet, and won them the cover of Time Magazine.

Duck Soup (1932), however, was not a hit, and the studio decided to alter the formula for the subsequent films. The rest of their films would see them burdened with frivolous romantic subplots and non-comic musical numbers. Only the first five films represent their genius uncut.

The brothers had been talented musically from an early age. Harpo, especially, who could play nearly any instrument he came into contact with, including the harp which he often played on film. Chico was a pianist, and Groucho played the guitar.

A running gag in their films is that Harpo could have nearly anything in his coat: for instance, in various points in Horse Feathers Harpo pulls out of his coat a wooden mallet, a coiled rope, a tie, a poster of a woman in her underwear, a cup of hot coffee, and a candle burning at both ends.

The 1957 TV talk program Tonight! America After Dark hosted by Jack Lescoulie may be the only public footage in which all five brothers appeared.

On January 16, 1977, The Marx Brothers were inducted into the Motion Picture Hall of Fame.

Films with at least four of the brothers:

• Humor Risk (1921) A short silent film, now lost.
• The Cocoanuts (1929)
• Animal Crackers (1930)
• Monkey Business (1931)
• Horse Feathers (1932)
• Duck Soup (1933)

Films with only Harpo, Chico, Groucho

• A Night at the Opera (1935)
• A Day at the Races (1937)
• Room Service (1938)
• At the Circus (1939)
• Go West (1940)
• The Big Store (1941)
• A Night in Casablanca (1946)
• Love Happy (1950)
• The Story of Mankind (1957) (although the three brothers appear in this film, they do not appear together and only have cameos)

Also see Margaret Dumont.

External links

• The Marx Brothers Museum
• www.whyaduck.com
• www.marx-brothers.org/
• Marx Brothers Night at the Opera Treasury

Referenced By