Bass guitar
The electric bass guitar is a stringed instrument similar to an electric guitar but larger in size and with a deeper tone. It is also closely related to the double bass and shares things in common with a range of bass instruments. It is widely used in many musical genres, including rock and roll, heavy metal, jazz, funk, Gothic rock, Hard rock, country, and disco.
Like the electric guitar, the vibrations of the string cause an electrical signal to be created in sensors called pickups, which are amplified and played through a speaker. Various electronic components, and the configuration of the amplifier and speaker, can be used to alter the sound of the instrument.
The first mass produced electric bass was developed by Leo Fender, a well-known guitar manufacturer, as experiments with upright basses with pickups did not work very well at the time. The change to the guitar form factor and the addition of frets made the instrument much easier to play. Fender's Precision Bass was first sold in 1951, with the single split pickup design that is still widely available (both Fender Precision basses and innumerable copies) being introduced in 1957. Another industry standard, the Fender Jazz Bass, was released in 1960.
Following Fender's lead, other companies such as Gibson, Danelectro, and many others started to produce their own version of the bass guitar. This allowed bassists to move further up front in the band mix, both visually and audibly. This work has been continued and many companies and individual luthiers have joined the quest to take Leo Fender's original dream and idea to new levels.
The acoustic bass guitar (ABG) is similar to an acoustic guitar with a large, hollow body that is clearly audible without amplification. However, they are relatively quiet compared most other acoustic instruments and many ABGs retain pickups to enable them to function with louder ensembles while still maintaining some of the acoustic characteristics of the sound. See The Violent Femmes' first album for an example of acoustic bass playing in modern rock music.
Design Considerations
The modern bass player has a wide range of choices when choosing an instrument, for example:
- How many strings (and what tuning)? Leo Fender's classic design had four strings, tuned E, A, D, G (with the fundamental of the E string vibrating at 41.3 Hz). Modern variants include:
- Five strings (normally B, E, A, D, G but sometimes E, A, D, G, C)
- Six strings (B, E, A, D, G, C - although E, A, D, G, B, E has also been used)
- More than six strings!
- double and triple courses of strings (eg, a 12 string bass might be Eee Aaa Ddd Ggg, with standard pitch strings supported by two strings an octave higher)
- Tenor bass - A, D, G, C
- Piccolo bass - e, a, d, g (an octave higher than standard tuning - same as the bottom four strings of a guitar)
- Any other tuning, including mechanisms such as hipshot detuners that allow changes during the course of one song.
- Pickups - the earliest basses had a single split passive magnetic pickup. Modern choices include:
- Active or passive (active circuits use a battery to boost the signal)
- Pickup type
- Pickup position (near the bridge or further towards the neck for a fatter sound)
- More than one pickup, giving more tonal variation
- Non-magnetic systems, eg. piezos or the innovative new Lightwave systems (these allow the bassist to use non-metallic strings)
- Body shape and colour
- A wide range of coloured finishes or exploiting the amazing variety of natural wood forms
- Different body shapes (affecting weight, balance and aesthetics)
- Headed and headless (with tuning done at the bridge) designs
- Frets
Add in the factors of amplification and effects units and it's easy to see why some bassists suffer from what is known as GAS (gear acquisition syndrome)
Playing Styles
As with any instrument, the electric bass can be played in a number of styles. Players such as Paul McCartney tend to favor a subdued, melodic approach, while Les Claypool of Primus and Flea of Red Hot Chili Peppers favor a funky "slap and pop" approach in which notes and percussive sounds are created by slapping the string with the thumb and release strings with a snap. Many artists, such as Pino Palladino utilize a fretless bass guitar for the smoothness of its slide and unique tone.
The slap and pop method was invented by Larry Graham in the 1960s. Graham's unique sound gained a broad audience when it appeared in the 1970 Sly and the Family Stone song "Thank You (Falettinme Be Mice Elf Agin)". In the 1970s Stanley Clarke developed Graham's technique further, adding the popping and speed that are a hallmark of contemporary playing.
Most bassists prefer to pluck the notes with the fingers but some also use plectrums (also called picks). This often varies according to the musical genre - very few funk bassists use plectrums, while they are almost de rigueur for punk rock.
Influential Bassists
The following bassists are among those who have contributed to the developing role of the bass guitar:
Influential Manufacturers
The following manufacturers are among those that have produced widely regarded models of bass guitar:
Related Instruments
Referenced By
ΚΕΦΑΛΗΞΘ | ...Baby One More Time | 4 Non Blondes | Alive or Just Breathing | America Eats Its Young | American Thighs | Aqualung (album) | Aquemini | Babes in Toyland (band) | BabyOneMoreTime | Baby One More Time | Bandolier (album) | Bass (instrument) | Bossanova | Budgie (album) | Bullhead (album) | Camel (band) | Chaos A.D. | Charmed Life | Clayman | Closer (album) | Come On Pilgrim | Cowboys From Hell | Eight Arms to Hold You | Far Beyond Driven | Foo Fighters (album) | Four Non Blondes | Full Moon Fever | Golden Age of Grotesque | Goth music | Gothic Rock | Gothic music | Hard Rock | Highway 61 Revisited | IQ (band) | Ian Kilmister | Iron Maiden | Iron Maiden (band) | Jacob's Mouse | Jazz Bassists | Kenyan music | Kerbdog (album) | Kim Gordon | Lemmy | Lemmy Kilminster | Lemmy Kilmister | Life Is Peachy | Like a Virgin | List of Jazz bassists | List of musical instruments | List of musical instruments by Hornbostel-Sachs number | Loose Booty | Master Of Puppets | MetallicA/MasterOfPuppets | Metallica/Master Of Puppets | More Specials | Music of Kenya | Nevermind | Nirvana's Nevermind | Nirvana (album) | Nirvana 2003 (album) | Nu-metal | Nu Metal | Off the Wall | Placebo (band) | Psalm 69: The Way to Succeed and the Way to Suck Eggs | Psychic Hearts | Rapeman | Reroute to Remain | Results May Vary | Results May Vary (album) | Rise And Fall Of Ziggy Stardust And The Spiders From Mars | Roll The Bones | Scum | St. Anger | Steve Lawson | SubLime | Sublime (band) | Surfer Rosa | Swansong | Tea for the Tillerman | Temple of the Dog (album) | The Colour And The Shape | The Division Bell | The Firm | The Golden Age of Grotesque | The Land of Rape and Honey | The Rise And Fall Of Ziggy Stardust And The Spiders From Mars | The Rise and Fall of Ziggy Stardust & the Spiders from Mars | Thick as a Brick | This Was | Thunder Seven | Tool (band) | Tool band | Trailer (album) | Trompe le Monde | Tubular Bells | Wall of Sound | Whoracle | Ziggy Stardust ...
|